CHRISTOPHER STEVENS TV reviews last night: Sherwood is as flat as beer in his working men’s club
CHRISTOPHER STEVENS TV reviews last night: Sherwood is as flat as beer in his working men’s club

CHRISTOPHER STEVENS TV reviews last night: Sherwood is as flat as beer in his working men’s club

Sherwood

Rating:

Help: unheard tapes

Rating:

Everything in the 1980s was awful. . . at least that’s how it was if you think the BBC.

Lots of documentaries and anniversary dramas describe these years as a nightmare dystopia. Apparently, the era was just violence, racism, unemployment, sexual prejudice and humiliation. And these were just sitcoms.

Each flashback reveals bad permanents and a worse decor. Whenever we see Margaret Thatcher, she pulls us off a podium, always at an angle – the BBC’s not-so-subtle signal that the country’s first woman prime minister must always be portrayed as unbalanced.

Surely our national broadcaster can’t be biased against a whole decade, just because Labor was definitely powerless?

Scenes of a mining town in Nottinghamshire during the 1984 strike in Sherwood (BBC1) painted a picture of terrible nightclubs and gloomy pubs.

Scenes of a mining town in Nottinghamshire during the 1984 strike in Sherwood (BBC1) painted a picture of terrible nightclubs and gloomy pubs.

Scenes of a mining town in Nottinghamshire during the 1984 strike in Sherwood (BBC1) painted a picture of terrible nightclubs and gloomy pubs.

This sad drama, vaguely based on a real-life murder case, focuses on dirty and brutal police tactics (Sherwood stock image)

This sad drama, vaguely based on a real-life murder case, focuses on dirty and brutal police tactics (Sherwood stock image)

This sad drama, vaguely based on a real-life murder case, focuses on dirty and brutal police tactics (Sherwood stock image)

Maybe my memory is wrong, because I remember a lot of my boyfriend about the 1980s. The post arrived before breakfast, along with the milk and the Daily Mail. The boys on bicycles went to school, did not sell drugs. Without mobile phones, I had little privacy and freedom. Most important of all, the chocolate bars were bigger. I miss old Mars.

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Scenes of a mining town in Nottinghamshire during the 1984 strike in Sherwood (BBC1) painted a picture of terrible nightclubs and gloomy pubs. This sad drama, vaguely based on a real-life murder case, focuses on dirty and brutal police tactics. Keep in mind, from the look of that sticky beer in the working men’s club, there wouldn’t be much difference between a pint of this and a mouth with a stick.

Sherwood was a disappointment, with stories as flat as beer. The cast is remarkable, full of more top actors than a Harry Potter movie. But not even the talents of Lorraine Ashbourne, Mark Addy, Pip Torrens, Adeel Akhtar, David Morrissey and Robert Glenister can cover the illogicalities of the plot.

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Who would have thought that an undercover cop, greeted by the community in which she had been sent to infiltrate, would suddenly realize that her true vocation was as a petty criminal?

And has anyone ever been shot in the chest by a semi-automatic police rifle and stopped to take off their glasses before gurgling and dying on their knees?

Meanwhile, a sweatshirt-clad killer walks through Sherwood Forest, mocking his pursuers with notes fixed on oak arrows.

One of the bands in the program was read by Luke Hornsby on behalf of John

One of the bands in the program was read by Luke Hornsby on behalf of John

Another tape that was presented was Michael's, read by Dickie Beau

Another tape that was presented was Michael's, read by Dickie Beau

Even after 40 years, the coldness of prejudice [the programme] reveals is enough to make the meat crawl.

If you’re old enough to remember Michael Praed in Robin Of Sherwood, there’s something better about the 1980s.

The music wasn’t, however, judging by the tired soundtrack of the raging electropop that accompanied Aids: The Unheard Tapes (BBC2). If I’ve never heard of Bronski Beat’s Smalltown Boy in a 1980s documentary, it’ll still be a week too soon. This three-part story of a pandemic is told largely through the voices of gay men interviewed at the time.

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The fashion actors of the 1980s synchronized their lips with audio, an innovative technique that, although executed impeccably, did not work very well. The performers spoke for a split second, but the effect was as if you were watching those plasticine animations of the animals talking in the Heat Electric commercials (if you remember Robin Of Sherwood, you remember those commercials as well). : “It must be easy to turn. -Off-and-onable ‘).

News clips reminded us how hard it was to talk about sexually transmitted diseases back then. Jeremy Paxman uttered the word “condoms” with real disgust, as if he had taken the word between the tips of two fingers.

An AIDS man described how a nurse put on a mask and rubber gloves to give him a glass of water. Even after 40 years, the coldness of the prejudice it reveals is enough to make the meat crawl.

Source: | Dailymail.co.uk